Showing posts with label Mr Chinwag. Show all posts
Showing posts with label Mr Chinwag. Show all posts

Talking Donkey Bloodbath

BY FRANCIS CROT



Malton. Two days previously.

Mr. Chinwag was glad he hadn’t the mumps. He was a talking donkey – well! – the guy who played him on this kids’ TV show. But he was bringing the office home plenty. And to those who knew him, and in his own mind, he was that motherfucking talking donkey.

What he had instead of mumps was a very bad throat infection. The physician told him to take time off. It was OK, there were two other men who could operate the same donkey suit. The very same. You can’t just stand down a donkey like that. You have to integrate him into society or there’ll be tears before bed time. Scratch that, there will be royal cataracts of shuddering plasma long before anyone’s even “feelin kinda sleepy.”

Yes, pretty soon, there’s going to be so much blood, all the real blood will be used up, and the blood of fiction and drama will begin to pump. The blood of blog. Macbeth will be totally drained, transformed into a dessicated comedy of manners. Just before Macbeth and Titus Andronicus and practically anything by Seneca tip their awesome offal, a gut-shot chaplain will fount the blood of totally unscathed bystanders. “Hey! That’s my blood!” “I haven’t any left of my own I” strangled sob “haven’t any left.”

Yes,

Talking Donkey Bloodbath

BY FRANCIS CROT



Mumps, Chinwag had feared, and before that, AIDS. “Tell me it ain’t the AIDS!” he’d more or less said. When the doc’s laughter had more or less petered out, Chinwag had added peevishly, “tell me at least it’s the mumps.” The doctor didn’t reinforce a positive body image.

The doctor didn’t do anybody any favours.

What did Chinwag do? Sat at home and watched Chinwag. He owned every episode. Chinwag couldn’t always tell whether he’d been playing the donkey. All the scripts were the same ‘talking donkey’ shtick, and one of the other two actors operated indistinguishably from Chinwag. Did I say that, wondered Chinwag, did I – feel that?

For Chinwag had been to The Royal Academy of Dramatic Art and had a fussy, hifalutin devotion to his work. He spent each evening with the next day’s script, putting in and rubbing out petite pencil marks. He felt what the donkey felt.

“Who am I?”

But Chinwag always knew when the third man played the donkey. Cuz the third man had a different interpretation of the character. Just slightly off, like smoking four packs a day of Silk Cut. Like quiche at a rodeo. Like a tall unfamiliar man saying to you, “A kiss without a salt is like a egg without a moustache – no – uh –”.

It fucking enraged Chinwag.

A wyrm of hazard squirmed on his brow, the puff-pastry of his shut throat disgorged and grated.

He was glad he didn’t have mumps.

Down With Us

BY FRANCES CROT

London. Chinwag’s enz. These monkeys want Coke! And they’ll do anything to get it! Tins are the best – grenade-snug, their darkling fizz packs more wisdom than a scroll or a roll of piano music. No wonder monkeys want it down their phiz. Cokesuckers. A truck slows at a corner, its interior slung with racks of the ebullient cobs. If these monkeys knew what they were doing they would pelt it with rocks. Together they could get what they want. Instead they get on the underground transport system etc. The roof would tear off the truck as easily as a tab off a tin.

Why do we want it so much, when it doesn’t really taste that good? One philosopher argues that “Its strange taste seems to provide no particular satisfaction. It is not directly pleasing, however, it is as such, as transcending any use–value, like water, beer or wine, which definitely do quench our thirst, that Coke functions as the direct embodiment of ‘IT’, the pure surplus of enjoyment over standard satisfactions [...] The paradox is thus that Coke is not an ordinary commodity, but a commodity whose very peculiar use–value itself is already a direct embodiment of the auratic, ineffable surplus. This process is brought to its conclusion in the case of caffeine–free diet Coke.” It’s not the case. In fact the first thing you taste when you lift a tin to your lips is the tang of aluminium. When your buds slosh with Coke you taste a nectar version of aluminium. That is what Coke is designed to taste like: yummy aluminium juice. So Coke gives you the impression that your spittle has dissolved thin metal into dark nectar. So you must be a god. Monkey long for godhead.

Monkeys pucker like cheese stretching from the roof of a lasagne. A monkey’s mouth is a pubic rubber band, quenching on ambrosia or no! On a “soul” level we want spittle as will melt metal, fingers as will pierce and tear friends.
Elsewhere, Julian shook a sieve. He was shirtless. It was a warm evening and he the central heating on. It had been on since Winter. In his sieve hills of flour crumbled. Purer hills grew, by layers and landslides.

Joe and Lisa walked. They walked along the curb – and one of them sometimes off it – from time to time glancing consciously at the other’s face. Then the moon came into view and mediated between them. They relaxed. They addressed themselves to the moon. Oh moon! So like a chef! And so useful to Lisa and Joe. When they arrived at Lisa’s, Joe hugged her. They hugged and they thought about things that were pretty obvious to both of them, like that one has just impulsively hugged the other and that here they were under the spry candy of the moon hugging at a gate and it was nice.

Elisha saw, “For example, feminist attempts to isolate a common experience of maternity feel the mountains tremble, did you hear the oceans roar.” Elisha stretched and rose from her desk. Her notes basked in lamplight something garish. Elisha highlighted every word Elisha read in one of three colours. It was “[her] way of working.”

Brenda struggled on her eiderdown. What if an animal, and its net, were evenly-muscled? Then we would have the measure of Brenda on her eiderdown.

She was not asleep. She only allowed herself to think of him for one hour an evening.

But put it this way, she had already been walking the pot-bellied daschund of his favours for some time without knowing it.

All her doubts converged on her wart. He hated her, she disgusted him! Nothing focuses a teenage woman’s vast insecurity quite like pubic fungus.

Chinwag’s collar was a dumb noose. He could relieve the chafe with a certain ponderous nod, as though passing under a low beam. His mouth was dry. Chinwag knew his neck was not really irritated by his collar, but by a nervous tic. If he varied his tic frequently, maybe no one would pick up on it. He would try and transfer it to a compulsive fist. Chinwag clenched and unclenched his right hand. He watched Chinwag. “Who am I? Who am I? Who am I? Who am I?”

Corntrough tested his body and spirit. He sat nude on the edge of his bed. By, ahem, pure thought he hardened and by, amen, pure thoughts softened himself once more. The rule was he could not touch it. He had done it for half an hour, hard, soft, hard, soft, hard, soft and now he was hard again. He’d do it for that again.

Miffed, joyous, spirit-walking: barnacles don’t share.

Julian’s Morris dancing clothes lay on the kitchen table, intricate patchwork, neatly folded. He drank cider from a pint glass. There was a thumb of flour on it. “G’day mate, I’m from Australia,” he said. “I’m from Austraylyia. What iz op, mon, I am from Jamacia.” Corntrough was damp with sweat. There would be buffer zones of prayer at either end of the fantasies, and complicated hybrids at the boundary between prayer and fantasy. Sex is always a boundary circumstance. In terms of sexual phantasy, Elisha’s practice was more easy-going and sustainable. She tended towards abstinence lobbying, the US import which let one speak in public venues about fucking, often about children fucking, and then in private, plan further such speaking. Elisha turned up the music and did star jumps until the end of the track. It was Elisha’s way of taking a break. Perhaps it upset the bald man next door but he poured sausage fat into their communal sink. She could smell his sizzling them even now. Lottie moved a ladybird. A girl of grave kindnesses, Elisha, with the rare condition of a frowning skull. She wouldn’t be surprised if he was lowering whole strings of cooked sausages into the drain, all the while listening nervously into the rapture of Delirious? for the faltering of her star thuds, the sc-rape of her door. Twisting on his fat neck while the sausages’ fat necks twisted down into the darkness. Brenda peered defiantly into her closet as she still always did each night at this moment. Lottie switched off the overhead light at the moment Lemon switched on the bedside lamp. Elisha chose neon green. Corntough thought, “He felt her warm, wet mouth close around his member.” Chinwag cracked his knuckles. Julian pulled apart an egg with his thumbs. Why are you even reading this crap? You could put it down right now. The Cam flowed and the Thames flowed. And Lisa stood in her hallway and hugged herself. Plenty of things are left unfinished. It’s not too late. Pestilence tensed. And Joe walked down the road and hugged himself. You could be at a surprisingly accurate re-creation of the golden years of Motown for example and either because you are swept up in it or because you are explicitly encouraged to so do by Marvin Gaye you could lay down your Kate Atkinson novel, and perhaps you might leave it there, or one of the other patrons might crawl under the rows of seats and rob you of it. Either way you might decide not to source another copy. That might be it. I do my best. Julian poured batter. Lottie dreamt you stopped reading now. That’s how serious I am. She dreamt it and purred and champed. My hatred for you is pretty astonishing. You, Mike, and you, Carlton, and you, Bradley, and you, Justin, and you, Jefferson, and you, Samantha, and by increments, by deductions from the earliest, by mutation of the earliest, all you readers, gobbling, snuffling, tailoring, testing, clogging reality with your attributes.

Frances Crot’s The Unnecessary Tipping Point

BY FRANCIS CROT

The reality question – it is to do with dreams. Monkeys cannot afford to believe their dreams are unreal. So they must use a flawed notion of reality, conditioned as much by emotional salience as intellectual consistency, a notion of reality weak enough to do for dreams. Soon MacGuffins were everywhere. They came in £1, £50 and £1,000 versions. Their main selling points were:

1) Many outlets stocked cut-price MacGuffins.
2) The first generation of MacGuffins were likely to be very collectable and valuable in the future.
3) Retailers would be judged by their success in selling MacGuffins; to buy your MacGuffin from a particular retailer was a way of showing your support for that retailer, and would help to prevent that retailer from going bust.
4) If you had one, and somebody tried to sell you one, you could say, “No thanks, mate, I’ve already got one.”
5) They let market researchers understand monkeys’ buying habits, and so as long as you bought honestly and from the heart they would get clean, clear information and be able to create more competitive markets, as well as to buttress the distribution of goods and services against market failures.
6) They were audaciously ironic – if you were savvy to consumerism you could ironically buy a MacGuffin as the ultimate placebo commodity.

It would be misleading to say they didn’t “do” anything. They “did” of course many things. One example, they generated revenue for their makers Delight & Touch, a company better known for its innovative insurance products (insuring against being unable to claim on your insurance, insuring against having no insurance for something, insuring against wasting money on insurance premiums and then nothing bad happening to you – this was the kind of complicated iterative stuff they adored), and for the entrepreneurs and professional “trendy goods”-counterfeiters who successfully sold forgeries of the £50 and £1,000 MacGuffins.

The Mashing Shamans of Delight & Touch thwarted efforts to understand their processes. They put up a smoke screen to maintain their distinction from ordinary people.

Who would not snigger to have it termed priestcruft. You think all I care about is that the zeitgeist had a goitre i.e. that I’m not going to tell you what MacGuffins were actually like as objects. Well I am. They were the same shape as a matchbox and slightly larger than one and as great as one. They were of satisfying weight. They had on them a design which people very quickly got as tattoos. The difference between the differently priced versions was in the colour and a few other very subtle features. The £1 ones came in a variety of pastels, the £50 were black and the £1000 were the colour of moonlight. One time a clerk did not offer Julian one – although the signs clearly describing the offer were abundant, and the date that day was between the two dates circumscribing the period during which the offer would be valid – but reached over the counter and in one clenched fist pulled free his chin, jaw and tongue. Obviously during that his shriek became a strange, keening spluttering.

Julian conducted himself like – well “headless chicken” comes to mind but then so does “jawless customer.” He left the store, incidentally activating the alarms with clutched merchandises. The smog snaked into his promiscuous lungs, there was nothing to disincline it, and his bellows, after all, pumped like death throes. He made mayhem of the busy street by standing woozily in it.

Shards of tooth and bone dribbled from this “face hole” like boulders tumbling in a blood waterfall. With a chunk! his upper jaw stuck into the windshield, as though a tool designed for it. The driver – Chinwag and no other – had had it! He left the engine idling and went to the boot, where along with his Chinwag headgear – he did not bother, this first time around, with the rest of the suit – he requisitioned a billhook and a double-barrelled sawn-off.



What Mr. Chinwag did not realise is that most of the people he was “slaughtering” were the living dead. Dead bodies, of cancer patients for example, moving in. Depending what you judge to be an acceptable amount of “collateral damage” Mr. Chinwag was either psycho or hero. If say 0.35 innocents cut down per zombie cut down was acceptable to you, you would see Mr. Chinwag’s status fluctuate excitingly between these two possibilities. If you can’t see what’s happening I can’t be bothered explaining it to you.

Book II: The "Can't-Be-Buried!" Tales

BY THOMAS HARDY

Notes on contagion


I literally cannot say whether Lemon was mistaken about his “emptiness.” As for doom – enough doom for everybody – I don’t want to say. Given:



Then a soul in the “incarnation foyer” should expect to be born nearer to the end of a race than its beginning – there are more places available. Put it that way (the “Doomsday Argument”).

The focus of my essay is a contagion which spread over the world, altering landscapes, but in the case of its Cantabrigian epicentre, not gravely so.

Lemon is comprehended in that focus because a component of the contagion originated with him, at any rate it settled its form in him. This component or “meme” might be described as the strong inclination to move from ontological facts to bodily praxis. Several weeks before Lemon died he passed this “meme” to a woman called Vanessa Curtis, who took it with her to the City Church on St. Albert’s Road. In that faith-clogged environs it bred catastrophically with a “meme” that could be described as the ressurection of the flesh. The bloated and deadly progeny possessed characteristics belonging to neither parent. After Lemon's suicide, incidentally, he was also infected by this hybrid strain.

Chinwag is comprehended in my focus because of his influential role in containing the breakout. He is the one case I am looking at in detail. I had him, Samantha, and the enraged taxonomer to chose from. Angels are reptiles? He would have totally spacked out. Were it not for the latent violence of these three . . . well. It doesn’t bear speaking about.

"[...] I rose at night, and visited
The Cave of the Unborn:
And crowding shapes surrounded me
For tidings of the life to be,
Who long had prayed the silent Head
To haste its advent morn.

Their eyes were lit with artless trust,
hope thrilled their every tone;
"A scene the loveliest, is it not?
A pure delight, a beauty-spot?
Where all is gentle, true and just,
And darkness is unknown? [...]"